Hitchcock's Subtextual Coding in 'Rope'
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
QC-2020
This work draws from the experience as a founding member of the Queer Choir Amsterdam, together with Shreya de Souza & Sarah Naqvi. The film, which is far from being a documentary about the choir, explores the personal experiment of active resistance while creating an imaginary universe, free of societal binaries and limitations.
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This work draws from the experience as a founding member of the Queer Choir Amsterdam, together with Shreya de Souza & Sarah Naqvi. The film, which is far from being a documentary about the choir, explores the personal experiment of active resistance while creating an imaginary universe, free of societal binaries and limitations.
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