'Zola' is a Modern Black Fairytale
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.

Sivanna (Arjun) and Lakshmi (Swati) are siblings. Their parents die when they were kids. Sivanna took the entire responsibility of raising his sister. Lakshmi falls in love with Ajay (Srinath). Sivanna marry off his sister to Ajay. But Ajay's family member is against to this marriage. When Ajay leaves abroad for an assignment, family of Ajay plots a conspiracy on Lakshmi and accuses her of having an extramarital affair with the car driver.Ajay believes in his mother and starts abusing Lakshmi. When Sivanna comes to know about it, he offers to take her back to his home. But she refuses. The rest of the film is all about how Sivanna finds out evidence to prove the innocence of his sister.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.
It’s hard to capture the emotions and thoughts of a character just from a few shots, but Oscar-nominee composer Micachu's haunting melodies prove otherwise in 'Jackie'.
Overall, Matthias & Maxime doesn't reinvent this romantic concept. But it also doesn't need to. Dolan weaves a story of love, friendship, and life that is both realistic and bittersweet. The film is nuanced and sensual in a way we don't get to see often with LGBTQ characters. It's a film that we can celebrate.