NIGHTBOOKS: Stylish Kid's Horror with a Focus on Acceptance
Nightbooks, the newest entry in children's horror, honors classic horror films, focuses on themes of acceptance, and has awesome production design.

Bad Boy Dayton O'Connor makes his directorial debut for Raw Fuck Club, taking us inside his monthy Puppy Play party Pure Bred, where the hottest pups and owners meet up for a night of boozed up play. But what happens at the party is just the beginning - after hours the masks come off and the real animals are let off the leash. Dayton comes across Cy sucking pierced stud Jeff Kendall's big cock and wants a piece of action. After smelling up the place with sex, Dayton takes them home where Cy's ass is taken hostage and repeatedly fucked till his hole is drenched in spunk.
Nightbooks, the newest entry in children's horror, honors classic horror films, focuses on themes of acceptance, and has awesome production design.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
If Miguel Alexandre were trying to make a revenge story seem dull without using all the effective formulas that work great in this catchy genre, he could not have accomplished his purpose much better than he unintentionally has in Black Island.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
After the 2018 surprising hit "A Quiet Place" brought something fresh to the horror genre, the announcement of a sequel may have been disappointing to some. A lot of the time, a sequel to an already successful movie is no where near as good as the original. Yet, John Krasinski once again shows that he's much more than Jim from The Office.