“Concrete Cowboy” (2021) Review: An Endangered and Unknown Subculture
Ricky Staub’s Concrete Cowboy, based on Greg Neri’s novel "Ghetto Cowboy", tells the story of a young teenager forced to adapt to a new lifestyle.

After returning home from a traumatic tour of duty in Iraq, John finds himself struggling with PTSD. What little peace he had managed to build around him is shattered one fateful day when he rescues a local call girl from a group of violent Aryan Brotherhood pimps. Having killed several of the high-ranking brotherhood during the rescue, John and his family are now the prime targets of Hollis, the ruthless criminal leader of the group.
Ricky Staub’s Concrete Cowboy, based on Greg Neri’s novel "Ghetto Cowboy", tells the story of a young teenager forced to adapt to a new lifestyle.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
Horse racing is a very difficult sport and challenge, especially for a young woman like Michelle Payne.
In 1971, when discussions about how to integrate their school system break down, the community of Durham, North Carolina agrees to bring in Bill Riddick(Babou Ceesay) to conduct a series of summits(charrettes) to help them move forward with desegregation.
A masterful portrayal of a long-forgotten story that needs to be told.
A haunting look at grief, survival, and a mother’s quiet collapse in a world that never gave her room to fall.