“Digger” or, How I Learned to Stop Worrying and Love the Way You Lie
Digger is a smart film, one that takes what could have been a “seen it before” message and gives it new life.

The dark story of three people who become playthings of the devil: a man, Shawshank, human enough but with a glee for spoiling people’s lives. There’s what looks at first like a normal sexual triangle: a girl, Pumpgirl, who works in the local garage and thinks she’s one of the lads; a freewheeling jack-the-lad, Hammy, who’s in love with no-one but himself; and a woman, Sinead, neglected, lonely, out looking for a joyride of her own. Three people, one night; a night of sex and violence, resulting in consequences - and not just for them alone.
Digger is a smart film, one that takes what could have been a “seen it before” message and gives it new life.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
A story about precarious tricks and unstoppable discipline to inspire young viewers. They'll learn that like any dream, achieving Cloud 9 is possible.
Sinister and suffocating, 2022's The Black Phone delivered more than just scares - it brought atmosphere, depth, and a villain audiences won't soon forget.