Puccini La Rondine 

Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.

"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters. 

This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.

What makes the lighting in Casablanca even more impressive is how it reflects the emotional states of the characters without needing explicit dialogue.

Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs. 

Through three intricately crafted seasons of television, "Hannibal" has managed to make itself into the best incarnation of the self-titled work.