Once Upon a Time in (White) Hollywood
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.

On the occasion of the opening of the famous Vienna "Riesenrad," a competition was held for the best operetta. A Czech, Jára Cimrman, also submitted his entry, a sweeping seven-hour work entitled "Proso." Due to what was perhaps his only negative trait, a slight stinginess, he did not send the score by registered mail, which allowed Franz Lehár, Johann Strauss, Oskar Nedbal, and other members of the jury to literally tear apart the brilliant operetta fresco. After many decades, a team of Czech Cimrmanologists has proven that the author of the world-famous melodies from Die Fledermaus, Polská krev, and many other operettas is the forgotten Pojizeřan Cimrman.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
Initially feeling like a passionate group having a bit of harmless fun with filmmaking, it leads to something sinister enough to leave a mark.
The film is trying to revive DC's former glory, it really is, it just doesn't have everything it needs to get there. Luckily, Black Adam isn't as bad as many internet haters want you to think it is.
I highly recommend Dark Waters. It’s a highly engrossing picture, which lends itself to cautionary storytelling. The dark information continually grows, inspiring change and accountability altogether. Overall, Haynes’ picture will not be known for its inclusiveness--but it will be known for being a fantastic, engrossing film.
A surprise sequel takes place ten years after the original movie based on the title of the same name, but with a twist to the fairy tale.