Parasite and Capitalism: What the Film Says About the Pursuit of Wealth
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.

One day, Dorka, one of the main characters in the fairy tale, goes to the market with her aunt. They buy a big chicken for the soup. The aunt sees a long-coveted white feather duster, but the vendor refuses to sell it, so the feisty aunt snatches it out of his hand and shoves it away. The spell that has kept the market peaceful is broken, and the ancient war between kofas, butchers and fishermen rages once more. Neither Minorka Vidor, a doctor of philosophy disguised as a hen, nor Emilia, a neurotic fairy godmother, can restore order until Auntie waves her feather broom again.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
21 Bridges isn’t going to revolutionize action cinema. However, its action components are respectable. Every act is visibly clear, and as time moves forward, the film changes its conflictual rhythm.
An episode of "The Sopranos" articulates an identity crisis unique to the Italian-Americans and demonstrates how Indigenous communities are pushed aside in the ensuing debate.
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.
'Airplane Mode' is a young adult movie that is about a woman who learns to step away from her smartphone, and from social media.