Janet Holman is suspicious of her fiancé, Allen Wells, after he kisses her best friend Gwen when the lights are turned out during a party. Allen leaves early, purportedly for business reasons, but in reality, he is going to visit his secret girl friend, seventeen-year-old Ruth Jarrett. When Ruth's neighbor and landlady, Mrs. Humphries, overhears her talking to Allen on the phone, she becomes morally outraged and calls the police. Ruth is taken away to juvenile hall, and when Ruth's older brother Nick comes home to celebrate Ruth's birthday, Mrs. Humphries explains that Ruth has been seeing an older, wealthy man who has been leading her astray, and that she sent her away for her own good. Nick is saddened that he has failed to keep Ruth on the right track, and when he returns to his apartment, he becomes enraged to see Allen there. When Allen claims ignorance of Ruth's age, Nick hits him, and they engage in a brawl.
Richard Thorpe
Director
Sally Blane
Janet Holman
John Darrow
Nick Jarrett
J. Farrell MacDonald
George Holman
Clara Kimball Young
Mrs. Humphries
Eddie Phillips
Allen Wells
David Rollins
Alec
Matty Kemp
Bert
David Durand
David
Betty Grable
Ruth Jarrett
Kenne Duncan
Wedding Rehearsal Attendant (uncredited)
Mary Jane Irving
Gwen (uncredited)
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
Lindsay Lohan makes a big film comeback in this amazing holiday comedy of the year.
Word of mouth has been incredible, but the film's faults cannot be ignored.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
“There’s always something you can do…to make people feel like they’re welcome”
... La huesera haunts her daily life, leaving people to question her viability as a mother, and Valeria’s lack of satisfaction with her life leave her asking similar questions. These misgivings reach their peak after the baby is born, when Valeria, visibly in a state akin to possession, locks her in the fridge when she won’t stop crying through the night