In 8th-century China, the Emperor grieves the death of his wife. The Yang family wants to provide the Emperor with a consort so that they may consolidate their court influence. General An Lushan finds a distant relative working in their kitchen, whom they groom to present to the Emperor. The Emperor falls in love and she becomes the Princess Yang Kwei-fei. The Yangs are then appointed important ministers, though An Lushan is not given the court position he covets.
Kenji Mizoguchi
Director
Machiko Kyō
Princess Yang Kwei-fei
Masayuki Mori
Emperor Xuan Zong
So Yamamura
An Lushan
Eitarō Shindō
Kao Li-hsi
Eitarō Ozawa
Yang Kuo-chung
Haruko Sugimura
Princess Yen-chun
Yōko Minamida
Hung-tao
Bontarō Miake
Chen-Hsuan-li
Tatsuya Ishiguro
Li Lin-fu
Kinzō Shin
Servant
Osamu Maruyama
Li Kuei-nien
Disney+ recently released six short films entitled the “Launchpad” collection in which diverse directors tell diverse stories. These shorts are exactly the kind of films we here at Incluvie want to see more of. These are stories of intersectionality, inclusion, and diversity. And every short stars a cluvie!
This Disney Channel Original Movie shows how two different groups can coexist.
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.