'Carol' Movie Review: A Gorgeous LGBTQ+ Romance
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.

Detective sergeant Timo Harjunpää of the Helsinki Violent Crime Unit loses his daughter in a tragic way. Despite the support of his closest colleague, Constable Onerva Nykänen, Harjunpää is unable to recover from the loss of his family. He seeks revenge against his daughter's killer, while in his work he investigates strange deaths in the Helsinki metro that turn out to be the work of a serial killer.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
A lot of us are emotionally impacted by the current pandemic. So, while we’re all stuck here in our homes, it’s great to put on a movie to ease the stress. With that, I made up a small list of some of my favorite feel-good movies.
Love Hard is a Christmas romcom about two people who fall in love while pretending to date. It’s a romantic and fun watch. If you can forget the catfishing.
'Sex Education' is one of the most diverse shows I've ever seen! From sexuality to gender identity to race, this show features so many minorities and so many different kinds of relationships!
At Coopers Chase, murder isn’t just tragedy—it’s Thursday’s entertainment. Chris Columbus’ The Thursday Murder Club transforms Richard Osman’s bestselling series into a cozy, clever whodunit where Helen Mirren, Pierce Brosnan, Ben Kingsley, and Celia Imrie prove that life’s sharpest twists don’t stop with age. With llamas on the lawn, cakes at the ready, and secrets around every corner, this star-powered mystery balances charm, humor, and heartache, reminding us that friendship, resilience, and reinvention might just be the ultimate clues.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.