'Zondvloed (Flood)' — MiamisFF Review: Between a Flood and a Hard Place
While prioritizing production value over substance, Flood depicts an emotionally taut family drama set during the farmland flooding of the Franco-Dutch war.

Self-made millionaire, Mason Van Horton embodies the sin of pride after being instilled with it by the Devil. The Devil creates two mortals, a man and a woman, and sends them into the world. The man, Van Horton, is given pride, which the Devil believes will lead to his downfall. The woman, lacking specific attributes, is sent to follow Van Horton, with the Devil anticipating her influence on his downward spiral.
While prioritizing production value over substance, Flood depicts an emotionally taut family drama set during the farmland flooding of the Franco-Dutch war.
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Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
One Night in Miami... did not frame the racism and bigotry as something that could be solved by quality time spent between individuals. Instead, it featured four different legends of Black History together in one room disagreeing for about 2/3 of the film.