Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Pride poster

Pride (2019)

Hyeon-woo works in sales at a construction material company. Se-hee has a 5-year-old daughter and works at a bar. The two meet each other by chance, but it is not easy to continue seeing each other, as Se-hee has a daughter and she’s struggling with debt. They try to overcome it, but reality hits them in the face. In the end, Se-hee ends up going back to the bar without telling Hyeon-woo. Hyeon-woo works as a substitute driver at night and ends up seeing Se-hee go into a hotel with a man in a dress…
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Hyeon-woo works in sales at a construction material company. Se-hee has a 5-year-old daughter and works at a bar. The two meet each other by chance, but it is not easy to continue seeing each other, as Se-hee has a daughter and she’s struggling with debt. They try to overcome it, but reality hits them in the face. In the end, Se-hee ends up going back to the bar without telling Hyeon-woo. Hyeon-woo works as a substitute driver at night and ends up seeing Se-hee go into a hotel with a man in a dress…

Rating:
Genre:
Directed By:Ji Il-ju
Written By:Ji Il-ju
In Theaters:9/5/2019
Box Office:

Runtime:

Studio:

Articles You May Like


"The Father" is a Depressing But Insightful Look at Dementia

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Matt Geiger