The Women and the Murderer: Made by Women for Women
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

Ryugen (Hitoshi Ozawa) and Toraji (Kazuyoshi Ozawa) are the two candidates to succeed the head of the Kanto Kyojinkai. The conflict between the two over the presidency intensified and eventually escalated into an internal power struggle. Due to Toraji’s underhanded schemes, Ryugen was arrested. Seizing this opportunity to seize control and rapidly expand his influence, Toraji ran wild, leaving the gang in turmoil. Amidst this chaos, Ryugen—burning with a desire for revenge against Toraji—was released on bail and returned to the gang. Another fierce storm was about to rage within the organization...
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
Suppressed intergenerational family trauma and healing, warm welcome to the Marvel Cinematic Universe team, and Awkwafina's humor really make this film the real MVP.
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
Sing 2 the beat in this jukebox sequel featuring anthropomorphic animals with musical talent.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
This horror, action, and fantasy movie released on Disney+ has a symbolic aspect.