"Tow" Tells the True Story of a Woman Who Sued the System
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.

In pretty-pretty, Kurdwin Ayub’s reflective self-staging meets Viennese Actionism, body horror coalesces with beauty, and the pain that Ayub has so often staged becomes physical for the first time. As she applies a fine needle making viewers’ nerves twitch, a bloody, radiant smile spreads across her face. (Diagonale 2020, die Unvollendete, Catalogue, mk)
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
Star Wars is better if you believe that Luke Skywalker is gay. You can't change my mind.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.
Izzy and Prince Thomas learn that taking control of their own destiny requires following their hearts and making their own decisions.
There's no hiding the horrors of war in this inspiring story of survival