'You Are My Home' and Only Hope
A homeless girl faces depression and uncertainty during the holidays.



Adapted from a 2014 novel by Atticus Lish, Preparation for the Next Life is the feature film debut of documentary filmmaker Bing Liu. With the help of screenwriter Martyna Majok, he paints a realistic and somber portrayal of Aishe, a Uyghur immigrant, as she struggles to make a living while undocumented in the United States.
Soon after arriving in New York, Aishe, played superbly by Sebiye Behtiyar, meets Skinner, a 23-year-old American soldier recently returned from the Middle East, brought to life by Fred Hechinger in a powerful performance. While Hechinger already has an impressive list of movies in his portfolio, including the Fear Street trilogy, Thelma, The Woman in the Window, and the widely acclaimed The White Lotus, this is the first feature film for Behtiyar, and she’s absolutely striking in the role.
From the moment they meet and form an instant connection, the film focuses on the contrast between their personalities and personal struggles as they navigate a relationship built on minimal knowledge of each other’s backgrounds. Aishe is hard-working and determined to make a life of her own in Chinatown, while Skinner is battling PTSD and mental health issues from his time in the war. She’ll soon have to face the fact that love isn’t enough, and she can’t help someone unwilling or unable to help himself.

Aishe, a Uyghur woman trained by her military father, migrates to New York City where she finds herself laboring in Chinatown’s underground kitchens. She fatefully encounters Skinner, a young American soldier who has just returned from three tours in the Middle East. While falling in love, they discover the possibility of a better life together than the ones they believed they were destined to live alone.
A homeless girl faces depression and uncertainty during the holidays.
21 Bridges isn’t going to revolutionize action cinema. However, its action components are respectable. Every act is visibly clear, and as time moves forward, the film changes its conflictual rhythm.
If you’ve been itching for a sign to finally go on that unforgettable summer camping trip, this is it.
These openly gay Hollywood figures risked so much by being honest about their sexuality: judgment, loss of employment, hate – even violence and death.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
This list was made with the intention of celebrating comedic craft and a love of seeing more women of colour and newcomers on the scene.