'Zom 100' Critiques Predatory Capitalism
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.

Anglingdarma (Baron Hermanto), the ruler of his homeland, acquires the magical ability to understand the language of animals, but is forbidden to share the secret of how to do this with anyone. Unfortunately, one night, when Anglingdarma is making love with his wife, he overhears some humorous remarks being made by two house lizards in the room, and bursts out laughing. His wife becomes very angry, and after Anglingdarma explains what happened, his wife demands that he teach her how to do the same thing. Anglingdarma refuses to reveal the secret. His wife, who believes that he does not love her anymore, decides to burn herself to death.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
Mahershala Ali and Naomie Harris, with an economy of language, but a world of expression, weave us inside this futuristic tale of how your “one true love” may exist in the future in Benjamin Cleary's 'Swan Song.'
"Terrace House" improves on the standard reality TV format by affording its cast privacy, freedom, and respect.
Miley Cyrus makes a revival in this Disney+ documentary on her recent album Endless Summer Vacation.
Why is 'The Green Knight' so white? People of color are so removed from the origins of 13th century art. We’re looking toward the future, and part of that should be updating aspects of our stories to mirror those evolutions.