'Hawkeye' Episode 3 Review: Echo Steals the Show
Hawkeye episode 3 has arrived and it feels like we’re finally getting started! This episode features the debut of Maya Lopez aka Echo, a Deaf Indigenous hero with a prosthetic!

Get in gear! Join forces with your favorite Power Rangers agains a sinister machine army accelerating towards global domination in START YOUR ENGINES. The mysterious and menacing Venjix Computer Network has unleashed an evil virus and is driving towards conquering the entire planet. In the shining city of Corinth, one of the only safe havens on earth, an elite team of super teens is ready to fight for justice -- but will these fierce Power Rangers have enough high-octane fury to save the world?
Hawkeye episode 3 has arrived and it feels like we’re finally getting started! This episode features the debut of Maya Lopez aka Echo, a Deaf Indigenous hero with a prosthetic!
"THANK YOU, Zach Creggar!" Back in 2022, this now established star in the horror film genre gave us the quirkily creepy, unexpectedly funny (at times!) cinematic gem that was "Barbarian". It felt like a cool breeze just washed over us as, for ONCE, the much traversed roads these films tend to go with got an upgrade of uniqueness without sacrificing the ambiance of uneasiness you desire.
The power to function. As people, we are richly blessed to have the wide ranging scope of what we can accomplish…physically and mentally…that aid in everything we desire to strive for and, ideally, accomplish. However, what if someone was experiencing daily life with these elements….only in a more muted manner?
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.