An aeronautical engineer in his forties, passionate about his job, nevertheless opts for a well-compensated year of unemployment as a sabbatical. What happens when city space and time are no longer defined by employment? Where are the wonderful projects? Where are the intimate resources?
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
This animated movie is based on the migration of birds from the north to the south.
During the third act, the momentum stalls, largely due to the film’s obsession with Kubrick’s visual design. But all in all, Doctor Sleep is a cinematic success, defined by rich characters and high powered emotion.
Dead Poets Society brilliantly combines defeat and optimism, rejection and love, craziness and daring, fear and freedom.
