Sofia Coppola’s ‘On the Rocks’
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.

The film tells the story of complex love relationships in a family. Nazım, a pharmacist, neglects his wife Şahizer because of his addiction to nightlife. Nazım's nephew İskender is upset about his aunt's situation. But he likes Semra, who dances at the club he goes to for the first time, and he sleeps with her. Semra is also the husband of neighbor girl Mübeccel and the mistress of theater actor Turhan. İskender is suspicious of Şahizar and Turhan's rendezvous and, jealous of his aunt, declares his love to her. Even though Nazım is aware of Şahizer and İskender's relationship, the solution found by Ecmel, who is in love with Mübeccel's brother İskender, will make everything sweet.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
This is not a story of oppression but a story of liberation.
Like Fourth of July fireworks, the film Honey Don’t is colorful and fun to look at, delivering many bangs (sex and guns!) for your buck before quietly fading out.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.
Dora is the superhero we didn't know we needed.
Adrian Chiarella’s Leviticus is a beautiful, poignant, enraging, gut-wrenching, and heartbreaking film about the trauma and harm conversion therapy inflicts on young queer people. Even though its classification as horror holds, the emotional bond between the two main characters, Naim and Ryan, elevates the story into a realistic romantic drama on par with Eternal Sunshine of the Spotless Mind.