Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Positive poster

Positive 

Lena, Taya and Tamara live in Kyiv and work at local cinema studios. They got used to editing other people’s movies by working with positive film strips only, and they are afraid of computers. Their world is a world of lost and dusty tapes on the floors. They breed cats, watch the Oscar ceremonies every year and secretly dream of working on movies like Avatar. All their lives they have remained on the backstage of the cinema world, on the other side of the screen. And now it’s their time to come onto the stage…
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Lena, Taya and Tamara live in Kyiv and work at local cinema studios. They got used to editing other people’s movies by working with positive film strips only, and they are afraid of computers. Their world is a world of lost and dusty tapes on the floors. They breed cats, watch the Oscar ceremonies every year and secretly dream of working on movies like Avatar. All their lives they have remained on the backstage of the cinema world, on the other side of the screen. And now it’s their time to come onto the stage…

Rating:
Genre:Drama, Documentary, History
Directed By:Polina Kelm
Written By:Polina Kelm
In Theaters:
Box Office:

Runtime:28 minutes
Studio:

Articles You May Like


In Apex, Womanhood Is More Dangerous Than the Wilderness

Netflix's new thriller Apex, starring Charlize Theron, puts a twist on survival horror. Despite its setting in the beautiful- yet-dangerous Australian wilderness, Apex is not a movie about man vs. nature. Instead, it’s woman vs. man. While checking out the title card and its unpretentious Netflix release might lead viewers to believe Apex is just another celebrity project churned out of the streaming machine, Apex - whether by luck or by intention - is a consistently harrowing film about the reality of being a woman in a public space. 

Jo Moses