Portrait of the Wind centers on Tamio Murase, a world-traveling photographer who came home to take over the family business after his father’s fatal heart attack. One day at the family photo studio, he finds a kindred spirit in Ayako and the requisite sparks fly between them. The initial portions of the film deal with their budding romance, and it isn’t long before the two become a serious couple, and Ayako is pregnant with Tamio’s child.
At least we got the original cast back, right? Not even that saves it. None of them could bring a sliver of hope to this special. Rather, they bring dread as we witness the light leaving from their eyes.
The July episode of Incluvie Movie Highlights provides 4 exciting films that have polarizing reviews! Special guest and Incluvie movie critic Daleyna joins in to discuss Mr Malcolm's List, a regency-era film set in England, starring leads of Indian and African heritage (Freida Pinto and Sope Dirisu), which is a first! Don't Make Me Go, starring an Asian and Blasian lead (John Cho and Mia Isaac), is a sincere film with a controversial ending! Don't worry, no spoilers. 1Up, about a team of female gamers led by Paris Berelc, who's half Asian, receives acclaim on Incluvie, but much hate everywhere else on the internet. And the feature film... is Nope ! One cohost thinks the film was imaginative, while the other cohost insists it was boring (but with good social commentary)! Who thought what? Tune in with your hosts: Cathy Yee and Hazel Bolivar!
While everyone was going gaga over The Odyssey, Desert Warrior was quietly taking audiences on an epic Arabian “knights of the sand table” adventure
The May Incluvie Movie Highlights features 3 fantastic coming-of-age films. We explore butterfly-inducing Sneakerella and Crush, and the sadly timely feature - The Fallout, about the after-effects of a school shooting.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
I hope that more people will see Joyland, understand the situation, and eventually change themselves and society so we can have a more accommodating world where everyday tragedies like the one depicted in the film do not occur.
