Why We Need a ‘Princess and the Frog’ Remake
With so many Disney remakes out and about in the world and loosed upon Hollywood cinema, there is one Disney film that truly needs to be seen and witnessed on the big screen: Princess and the Frog.

Esther is beautiful beneath the surface, in an office where the surface is all that matters. Plus she has brains and about 100 extra pounds. Her nasty, brutish, and tall colleagues (Donna, Caroline, and Erica) make fun of her even as they depend on her knowledge. One day, she excitedly offers to show them a portrait she's had taken by Bud, of "Bud's Glamour Shots," who had spammed the office with an e-mail promising a picture that will reveal her true inner self. Cut to Esther, driving home in tears. That night she sleeps with the portrait near the bed and awakes to discover something extraordinary. When the three harpies see the result, will they book a session with Bud?
With so many Disney remakes out and about in the world and loosed upon Hollywood cinema, there is one Disney film that truly needs to be seen and witnessed on the big screen: Princess and the Frog.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
Paul Thomas Anderson blends tragedy, comedy in 2025 epic, "One Battle After Another."
Halle's belting, crystal clear notes, and warm tone infused something into this blockbuster that I thoroughly enjoy.