Miley Relives Stardom in Hannah Montana: The Movie
Miley Cyrus shares her struggles as a songstress with a young audience, all while staying upbeat for the Disney brand.

Hunting for interesting elements for a play, a photographer meets an old man, who has just had a heart attack He tries to save the man's life. In an effort to determine the old man's identity, he is confronted with the old man nostalgic memories.
Miley Cyrus shares her struggles as a songstress with a young audience, all while staying upbeat for the Disney brand.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
2025 has just about wrapped, so we’re taking this time to celebrate the most inclusive films that came out this year. Graded on Gender, Race, LGBTQ, Disability, and more
This holiday movie serves as the prequel to the TV series The Really Loud House.