“Deconstructing Karen” Demystifies White Allyship
When a group of White women are invited to dinner by an Indian woman and a Black woman to talk about race in America, sparks fly.

In the opening years of the new millennium, two mutually dependent families attempt to extricate themselves from their own entangled web of dishonesty.
When a group of White women are invited to dinner by an Indian woman and a Black woman to talk about race in America, sparks fly.
Everyone needs a BFF and a "wing person" like Yumi (Chloris Li). Li brings the "straight person" persona, literally and figuratively balancing James Aaron Oh's perfectly timed comedic delivery as the unlucky-in-love.
Death on the Nile (1978) film mindless entertainment playing out on sets and wonders larger than the stakes, both of these films fail to live up to the hype of Agatha Christie's mystery. Check out cast & characterless controversy.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).
Cassie, a musician, and Luke, a man serving in the Marines, form a false relationship and keep it a secret.