Looking Behind the 'Z-O-M-B-I-E-S' Trilogy
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.

The tenth edition of Polish Pride parades a colorful trail of rainbow flags through the streets of Warsaw. Along the route, Antek and his friends line up to warn of the “pink threat” in prayer and edifying hymns. As traditional Catholics, he and his Brotherhood hold deeply conservative views: sex before marriage is out of the question, homosexuality can be cured, abortion is a great evil and Poland is for the Poles. His sister thinks his homophobic ranting is pointless, because in a few years the planet will be destroyed anyway as nobody is doing anything about climate change.
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.
Two Distant Strangers (2020) centers around Carter James (Joey Bada$$) as he tries to get back home to his pitbull, Jeter, after spending a night at the apartment of his date Perri (Zaria Simone). What gets in the way of Carter reuniting with his dog is that every time he tries to leave Perri’s apartment, he is killed by police and wakes up back in her bed in a never-ending cycle. It addresses the issue of police brutality which rightly has been in the public eye more and more with the unjust deaths caused at the hands of law enforcement.
Michael Shanks’ Together is a queasy, hilarious, and surprisingly heartfelt body-horror trip that fuses love and terror in the most literal sense. Starring real-life couple Dave Franco and Alison Brie, this midnight gem twists Plato’s soulmate myth into a gory, darkly funny tale of codependency, cults, and chainsaws — equal parts romance and nightmare.
The singer recounts the memories of writing and creating her record-breaking debut album and shares her feelings as a young woman navigating a specific time in her life.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.