In the history of Romanian cinema, Sergiu Nicolaescu's name stands for "prolific, highly commercial and professional". At the age of 80, the director launched his latest production, which is also his second comedy in a long row of action and historic films. "Poker" is a cinema adaptation of Adrian Lustig's theatre play with the same name, and focuses on four male friends, representatives for the social canvas: a doctor without a moral conscience, an unscrupulous politician, a chief of the local mafia, and a businessman who made a fortune in America. Made by MediaPro Pictures, 'Poker' looks at immorality and intrigues in politics, hinting at the fact that contemporary Romania is a day to day jungle where strings are pulled by those in power, so everything turns into a poker round, where those who have the right aces in their sleeve can win.
You can’t talk to my grandpa about The Sopranos. You can’t talk to him about The Godfather either. Merely by bringing up the subject, you’d be treated to a lecture on how movies and TV want you to believe that all Italians are criminals and mobsters. He won’t watch any of it, in protest.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
The 92nd Academy Awards had many strong contenders for best animated short. But which Oscar nominated short wins for diversity and inclusion?
Tired of being cooped up in their cages, the critters escape the Australian zoo and try to find their way to the outback.
