"The World to Come": A Stunning Period Romance
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.

On a deliberately paced walk through fragmented virtual spaces, a semi-autobiographical story unfolds about belonging and grief.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
“The most disrespected person in America is the Black Woman/the most unprotected person in America is the Black Woman,” Director Spivey Jr quotes. The quotes are absolutely true. Misogynoir is a devastating social ill that is not given the weight it is due.
The 'Black Adam' story is a blander copy of 'The Mummy', 'Moon Knight', and other Egyptian films made by Hollywood, taking place in the fictional Middle Eastern Kahndaq.