Power Dynamics, Gender and Sexuality in "Accused" (2026)
As an Indian lesbian living in the United Kingdom, the cards are stacked against Geetika from the start.

It’s the swinging (16)60s, and ‘the merry monarch’ Charles II is on the throne. After violent civil war, England’s theatres have finally reopened and, for the first time, women are allowed to perform in public. In the West End, grande dame Mrs Betterton (Anna Chancellor) rules the roost. But there’s a new face in town: an orange-seller with dreams of stardom. From dressing-room camaraderie to bitter rivalry, April De Angelis’ gloriously exuberant, bawdily funny and deeply poignant play celebrates five women grabbing this newfound freedom and making their way in an unfamiliar world. But at what price?
As an Indian lesbian living in the United Kingdom, the cards are stacked against Geetika from the start.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
The 2019 film, Vai, takes us through eight stories across the islands of Oceania. The settings are unbelievably beautiful, the cast is beautiful, the languages are beautiful, and the stories are beautiful…but heartbreaking.
The second episode of the highly anticipated Afrofuturism series delivers with a high-speed race teaching us to go far beyond just accepting ourselves.
With so many Disney remakes out and about in the world and loosed upon Hollywood cinema, there is one Disney film that truly needs to be seen and witnessed on the big screen: Princess and the Frog.
The whole family will enjoy these fantasy and science fiction stories about families and individuals connecting, finding true love, and discovering self.