Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

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Play Angels Vol. 2 poster

Play Angels Vol. 2 

Anna, a worker at a publishing company; Saya, an aspiring college actress; and Kuniko, a loyal housewife at first glance appear to be ordinary women. However, when the police can't help, they form a private investigation team to bring those criminals to justice by their desirable bodies. This time their client is a democratic member of Parliament, Taizo Egawa. The city's Board Of Education member, Hiroshi Makihara, has been threatening misguided schoolgirls with blackmail, forcing them into prostitution. Even Mr. Egawa's daughter has also becomes a victim...
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Anna, a worker at a publishing company; Saya, an aspiring college actress; and Kuniko, a loyal housewife at first glance appear to be ordinary women. However, when the police can't help, they form a private investigation team to bring those criminals to justice by their desirable bodies. This time their client is a democratic member of Parliament, Taizo Egawa. The city's Board Of Education member, Hiroshi Makihara, has been threatening misguided schoolgirls with blackmail, forcing them into prostitution. Even Mr. Egawa's daughter has also becomes a victim...

Rating:
Genre:Crime
Directed By:Takeshi Niizato
Written By:Ryō Kaihara
In Theaters:
Box Office:

Runtime:77 minutes
Studio:Nextacy

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'The Half of it' Handles its Presented Social Issues Thoughtfully

The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.

Andrea Amoroso