Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Planet Ottakring poster

Planet Ottakring 

The death of Ottakring's last godfather and the encounter with a very clever young woman unintentionally turn the clever crook Sammy into the business-minded driving force of an Austrian parallel world in the midst of the global economic crisis.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


The death of Ottakring's last godfather and the encounter with a very clever young woman unintentionally turn the clever crook Sammy into the business-minded driving force of an Austrian parallel world in the midst of the global economic crisis.

Rating:
Genre:Drama, Comedy, Crime, Romance
Directed By:Michael Riebl
Written By:Mike Majzen
In Theaters:
Box Office:

Runtime:

Studio:Prisma Film

Articles You May Like


Enola Holmes 3 Screws Up Its Main Character and Blows the Worldbuilding

Netflix’s recent Millie Bobby Brown vehicle, Enola Holmes 3, is a disappointing and confusing entry in the stellar Enola Holmes franchise. Directed by Philip Barantini, the film stars Brown as Enola Holmes, estranged sister of Sherlock Holmes, Henry Cavill as Sherlock Holmes, and Louis Partridge as her love interest, Viscount Tewkesbury. While it deserves credit for its exciting action scenes and attempts to expand the diversity of its Dickensian setting, the most recent entry in the series completely scuttles Enola’s underdog status from the first films that made her so charming and gave a touch of realism to the story of a young, unmarried woman living in London while self-employed as a detective.

Jo Moses

"First Girl I Loved": A Well-Intended but Ultimately Flawed Story of Identity

Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian. 

Marisa Jones