Max and Catalina are at a huge porn show in Las Vegas, when he finds a video virgin Summer Luv who needs to make a little money. No problem! But she has to earn it the hard way - with ass and throat fucking! She gets money allright! Partying on the French Riviera with two hot cunts - Cloey Adams and Jade Marcella! He fucks them both on the patio of his villa, reaming every hole mercilessly, and blowing his load on Jade's face and Cloey's ass! Alicia is a run away from Florida who's trying to make it on her own in L.A., but she gets in way over her head when Max picks her up and brings her back to his place! He rips into her and fucks her in every position in the book and a few more!
Despite its aggressiveness, the Beef anthology series is about romantic love in all its forms. The final scene of the first season led us to believe that, despite the conflict, drama, and toxic traits, the main characters would end up together and, most likely, live happily ever after. The whole “beef” plot was the prelude to their love story.
Seriously, and this is coming from someone who was extremely skeptical before giving it a watch. I assumed the show would be painfully boring, but one of the show's strongest qualities is you needn't know anything about the lore to get invested in it.
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.
These openly gay Hollywood figures risked so much by being honest about their sexuality: judgment, loss of employment, hate – even violence and death.
Seven years after George Miller's previous film, 'Mad Max: Fury Road', he dives back into the scene with an equally daring movie. Although not nearly as action-packed, his newest film 'Three Thousand Years Of Longing' challenges the typical format of a film, giving you a well-known plot in an unexpected way.
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.
