Halt and Catch Fire's Trailblazing Queer Representation
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.

Thoughtful and introverted, 12-year-old Maggie feels invisible sandwiched between the limbs of her eight rambunctious siblings as they drive across the desert in the family's aging Pontiac wagon. Maggie escapes her loneliness and the chaos of her family by entering the strangely beautiful world she discovers through the viewfinder of her snap-n-shoot camera. Yet, unable to trust that what she sees is worth capturing, she never takes a picture. When the family makes a pit stop in the middle of nowhere, Maggie's feelings of being invisible are intensified after she is accidentally left behind. There at the gas station she meets June, the desert-worn, reclusive proprietor who proves more than just a passing influence on this little girl's journey to find her own voice.
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.
The Suicide Squad's Polka-Dot Man aka Abner Krill, played by David Dastmalchian, helped me come to terms with my own issues of anxiety.
Two movies that do a fantastic job in conveying the ongoing struggle for racial justice are Selma (2014) and Just Mercy (2019).
Of all the many great people that have contributed to Hip-Hop and radio, I was fortunate enough to speak with James Rosseau, founder of The Corelink Solution, a nonprofit that owns and operates Holy Culture Radio.