A Survivor's Story: Breaking Down the Season 4 Finale of ‘Handmaid’s Tale’
The roaring emotional ride that was the season four finale sets June on a new path: more of a Survivor's Journey.

Documentary filmmaker Kenjiro Fujii takes a look at the history of a distinctly Japanese brand of softcore pornography in this extensive examination of the "pinku eiga" genre (ピンク映画 Pinku eiga or Pinkeiga). For more than 40 years, so-called "pink" films have served as both a key source of revenue for the Japanese film industry as well as a launching pad for the careers of such mainstream filmmakers as Kiyoshi Kurosawa. After providing a detailed history of the still-profitable and popular genre through interviews with a variety of behind-the-scenes players and clips from such classic pink films as Fish Bait Boobies, director Fujii shifts his focus to the production of an upcoming pink film to offer a glimpse into the creative and stylistic evolution of the genre.
The roaring emotional ride that was the season four finale sets June on a new path: more of a Survivor's Journey.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
This movie will always resonate with queer people, for as long as queer people exist.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
Diana’s spirit has taken off, ‘No right, no wrong, no rules for me.’ And in that moment, as she runs on the screen, she gets it, her ‘Let It Go’ moment.
Ditch the lube and get to the point in the raw, honest, cheeky dramedy written and directed by Mark Schwab.