Pillbox tells the story of a couple who are forced to part when the man heads overseas to war. The opening sequence boasts the simple black-and-white aesthetic of early cinema – complete with title cards – but after a barrage of harrowing newsreel footage, the wounded soldier finds himself in a psychedelic fantasyland where he parties with a bejeweled king and his subjects. But after insulting the king, the soldier is blinded, banished and forced to wander through a surreal landscape as he searches for redemption and tries to find his way home.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
Initially feeling like a passionate group having a bit of harmless fun with filmmaking, it leads to something sinister enough to leave a mark.
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