Quintessential Directors: Barry Jenkins
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.

For 50 minutes or so Pictures presents a series of static, or gently swaying images which are sometimes bucolic landscapes but more often industrial ones (sludgy harbours, power lines, abandoned railway stations or deserted factories). The interplay between the two sets of imagery is not simple. Wyborny photographs his modern ruins at their most ravishing – at dawn or sunset, partially reflected in the water or glimpsed through the trees. Shots recur throughout, optically printed into brilliant colours or else, given the washed out quality of fifth generation Xeroxes. As there are few people shown, one’s impression is of a planet that is populated mainly by cows, barges and hydraulic drills.
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.
'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.
There's no hiding the horrors of war in this inspiring story of survival
Joker is a compelling, character-driven, psychological tale that has a message behind the madness.
By having two of its most beloved characters go to space in a Pontiac Fiero attached to a rocket, among other antics, F9: The Fast Saga overwhelmingly achieves the task of out-crazy-ing its predecessors.
I believe in homages, but there's a proper way to borrow a creative idea instead of making it appear as if you hit the copy and paste button. Most likely, anyone is better off simply reading the books. Or just put on Scream.