Seigo Sugita is an ordinary man who works at a pizza shop. By chance, he learns about "submission photos." Looking at a photo collection containing them, he thinks, "What kind of nerve do these women have? How can they take photos like this and post them just by covering their eyes?" However, there is a woman close to him who is addicted to it. That woman is Tomoko Kawamoto, a very cute girl who recently moved into the apartment next door to his. Noticing her presence, he quickly approaches her, wanting to know the reason why... And he, too, becomes addicted. The two of them leave their empty apartment and go outside into a crowded place. He makes her strike extremely provocative and daring poses, and films the images...
One Night in Miami... did not frame the racism and bigotry as something that could be solved by quality time spent between individuals. Instead, it featured four different legends of Black History together in one room disagreeing for about 2/3 of the film.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.
Adrian Chiarella’s Leviticus is a beautiful, poignant, enraging, gut-wrenching, and heartbreaking film about the trauma and harm conversion therapy inflicts on young queer people. Even though its classification as horror holds, the emotional bond between the two main characters, Naim and Ryan, elevates the story into a realistic romantic drama on par with Eternal Sunshine of the Spotless Mind.
Turning Red' has received hate for being 'unrelatable' while dealing with one of the most human experiences. Despite the Turning Red controversy that it's unrelatable, it is yet another Pixar classic that will inevitably stand the test of time.
The Sandman features a plethora of LGBTQ+ characters and is openly expressive about it!
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
