Taking place between the first two musicals, Edgeworth has been wandering the world for several years, trying to find a new reason for practicing law. As he boards a flight to visit his hometown in California, he runs into hopeless loser and wannabe ladies man Larry Butz. After both fall asleep on the plane, they wake up to discover they are somehow in the past, when Gregory Edgeworth, Miles' father, was still alive. Miles soon finds himself embroiled in a murder investigation involving a woman named Alison Teresa, and is deterimined to unravel what happened, even if it means prosecuting against his own father.
The film's Incluvie rating is off the charts. It features Black, Muslim, queer, trans humans whose moms hold them up, fight for them, and love them for who they are...making anything possible.
Gotham City Sirens needs a female voice behind the camera. So, on the chance someone from DC films is reading this, here are ten female directors who would be good choices for Gotham City Sirens.
Remember when there was this amazing comedy titled "National Lampoon's Vacation"? To this day, it is a true classic of the genre and certainly put a new spin on precisely what KINDS of insanity could occur when taking the fam on the road. Then, like with so many successful films, there was the sequel (which for me was even MORE of a classic than the original!). However, the third film emerged....and then a fourth. Suddenly, the luster was gone and disappointment set in.
The relationship between the characters is what makes this film stand out, and it’s just all-around fun.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
