"Opus" Is Fun But Doesn't Know Its Own Motivation
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.

A masked vigilante in Seattle gains fame fighting crime with his superhero team, until police expose his identity. Years later, during civil unrest, he returns despite controversy over his true motives and character.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.
This film manages to be simultaneously topical and timeless. Without being preachy, it highlights society’s flawed relationship with tech; insights into the complex ideas of family struggle are expertly dispersed among a perfectly paced and balanced story.
It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.
The coming-of-age story that brings viewers into the world of Broadway, New York City, with musical talent and LGBTQ leads.