TIFF ‘22 Coverage: ‘My Policeman’
'My Policeman' simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.

Akhnaten is set in Ancient Egypt, and based on the accession to the throne of the pharaoh Amenhotep IV – thought to have been around 1351BC – on his religious convictions, and the consequences of his actions. Presented as a combination of song, dance and music, the opera has a libretto by Philip Glass, Shalom Goldmann, Robert Israël and Richard Ridell, with the text drawing on ancient hymns, prayers and inscriptions, sung in their original Egyptian, Hebrew and Akkadian form. Produced by the Opéra de Nice Côte d’Azur as part of the Festival MANCA.
'My Policeman' simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
Directed by George Miller, Thunderdome continues to follow the titular character through post-apocalyptic Australia.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
A throwback to the last months of the 20th century in this comedy film.
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.