'Blue Beetle': Family over Fanfare
'Blue Beetle' is another solid addition to the superhero film canon.

The story of the coolest, street-smart hustler ever to walk the streets of Mexico City, based on the international hit song. The police are after him, his rivals are after him, and all the while the most beautiful women of Mexico are in the cup of his hand.
'Blue Beetle' is another solid addition to the superhero film canon.
The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
The character of Mulan is one of Disney’s best heroines. She’s brave, kicks butt, and has a kill count. What other Disney character has killed hundreds of Huns by crushing them with an avalanche? No one.
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.