Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Izumi, Yoichi, and their childhood friends had a secret play that no one could tell. In the fall of the third year of junior high school, the two go on a trip to find a cosmos field. Is it possible to grow up "remaining untainted" without losing anything? The story of Izumi, a girl who doesn't want to be a woman.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
As an Indian lesbian living in the United Kingdom, the cards are stacked against Geetika from the start.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
Like most young people, Leviticus is imperfect. But I love it anyways.
The importance of trying new things and teamwork are two life lessons explored in this family-friendly sports film.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.