‘Fast Color’: A Strikingly Different Take on the Superhero Film - Movie Review
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.

A story about a ten-year-old boy whose dream is to become a movie star. Pepot, the dreamer, is surrounded by people who are equally dazzled by the movie world from his own mother to the principal in his school to the impersonators in the neighborhood carnival. Coming from a poor family, Pepot overcomes adversity to have a chance at fulfilling his dream. He tackles school bullies, a strict teacher, and an unwelcoming world that fail to comprehend his intense desire to become a star. The story happens in the '70s when superstars brightened the film world in Pepot's country.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
Hustlers was meant to be a film about female empowerment. And it was, to a certain extent. I expected and wanted this to be a kickass and complex film of sexy women who use their confidence, skills, and wits towards a brilliant plan to get revenge on the Wall Street guys who wronged them.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
John Fawcett’s "Ginger Snaps" intertwines the lore of the werewolf to the hellish experience of a young girl going through puberty.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.