The Vampire Boy in Liar, Liar, Vampire
Liar, Liar, Vampire takes a bite out of clichés in romances between vampires and teenagers. Anything but boring and dripping with fun, it's a Halloween story with a twist.

Pepe Cáceres lives a cruel childhood. His father inherits him the mark of fear and death by committing suicide. Pepe works for Melanio Murillo in a bullfighting comedy show, where he exploits him. Tired of the precarious conditions, he leaves Murillo, and in an act of courage, he impresses the veteran matador Félix Rodríguez, who prepares him to travel to Spain to achieve his dream. Pepe falls in love with Luz Marina Zuluaga, which puts him in conflict between his passion and adolescent love. He travels to Spain and in his debut, he is gored. Now he must overcome the wound and the ghosts of his childhood if he wants to be someone both in life and in the ring. Finally he achieves fame and regains love. But life always puts him between love and the ambition to leave an eternal legacy.
Liar, Liar, Vampire takes a bite out of clichés in romances between vampires and teenagers. Anything but boring and dripping with fun, it's a Halloween story with a twist.
Released on Netflix this last July, Mile End Kicks, catches the eyes of those who are wanting to escape the disasters of 2026 and visit the era of peak Tumblr, unforgettable music hits, and iconic fashion trends—-of 2011. This coming-of-age film directed by Chandler Levack succeeds at portraying an accurate representation of what life was like in the early 2010’s.
The Olivia Wilde renaissance is upon us.
In season 3 of 'Umbrella Academy', Diego, Allison, and Viktor finally get character arcs that address their unique experiences as a Latino man, a Black woman who lived through the 60s, and a trans man.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
A quiet film that does not demand your tears but earns them. It explores love that lingers, timing that fails, and the silence between what was and what could have been.