Pepe Cáceres lives a cruel childhood. His father inherits him the mark of fear and death by committing suicide. Pepe works for Melanio Murillo in a bullfighting comedy show, where he exploits him. Tired of the precarious conditions, he leaves Murillo, and in an act of courage, he impresses the veteran matador Félix Rodríguez, who prepares him to travel to Spain to achieve his dream. Pepe falls in love with Luz Marina Zuluaga, which puts him in conflict between his passion and adolescent love. He travels to Spain and in his debut, he is gored. Now he must overcome the wound and the ghosts of his childhood if he wants to be someone both in life and in the ring. Finally he achieves fame and regains love. But life always puts him between love and the ambition to leave an eternal legacy.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
Anna May Wong was a talented actress and a fashion icon and still had to fight for everything she had due to hatred and racism.
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.
"The Old Guard" doesn't break ground, but it sure does bust boredom and fictional heads as an entertaining action romp on Netflix.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
Severance is about breaking down facades and confronting old models that were once frameworks of our lives. The somewhat subtle message to me is it’s never too late to fall in love, no matter your insecurities.
