Pepa is a fifty-year-old civil servant living with his family in an ordinary district town. Pepa is somewhat henpecked, lacking respect even from his wife, let alone his daughter. Pepa knows that something has to change, and he even knows very well what that "something" is. But! The path to the goal is sometimes very thorny, and so we follow a series of more or less futile and tragicomic attempts by Pepa, the outsider hero, to finally start living his life. Will he manage to find answers to the questions "Why is he in the world? When does real life begin? After birth, after graduation, after first sex, after marriage or children? Or only after death?"
This is not a slavery story, it is a freedom story. The viewers only see Harriet as a slave for the first few minutes of the film. To me, it felt like watching the origin story of a superhero…which is both good and bad.
Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
In a post-Gamergate media landscape, it's ambitious to have a film confront the harsh reactions to women in gaming from a comedic lens.
Although not canonically aromantic or asexual. the stories and personalities of these Disney princesses resonate with members of the aroace community.
“Is it real? Does it exist? Of course it does," read Snyder’s tweet about his cut of ‘Justice League’. Little did we know, not only does it exist, but it is enough to fill 4 full episodes, each an hour long.
