
Four men succesfully robbed a bank but unfortunately one of their gang members was injured and had to be brought to the hospital. At the same time, a lady who cares for the elderly at an old folks home, brings one of its occupants to the same hospital for treatment. What unsues is the unravelling of a hidden agenda where no one suspects the least, while being pursued by a police investigator at the same time.
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.
A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.
Deborah (Jean Smart) and Ava (Hannah Einbinder) are a delight to watch evolve, sometimes devolve, then evolve again.
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.