Peacock Lament 

For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.

I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it. 

Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.

'Jungle Cruise' is fun if you can ignore the racism of the ride it’s based on and the film’s bland, stereotypical characters.

The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.