The undocumented refugee Sabr (35) works in the Dutch illegal male prostitution. Short, gritty drama about the tragic cycle of abuse, dominance and power. Following his feature debut Paradise Drifters, Mees Peijnenburg presents a short, gritty and significantly less hopeful portrait, in his by now idiosyncratic, poetic-realistic style. The 35-year-old undocumented refugee Saba is caught within illegal male prostitution. His date with a john turns out different than expected, when several men are present at the meeting address. Should he pass over the money and run the risk they will call the police? Sort drama about the tragic cycle of abuse, dominance and power.
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.
The Resort has an excellent climax surrounded by disappointments. Somehow, at a mere 75 minutes, this movie still manages to be 70 minutes too long.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
What makes a person different, and who is considered normal? Based on a true story, The Unbreakable Boy follows the life of Austin LeRette, a young boy with autism and osteogenesis imperfecta, as he navigates daily life with optimism and resilience.
