From his massive 2012 tour ‘What’s Happening White People?’ join Paul Chowdhry live and uncensored from his huge sellout show at the legendary Hammersmith Apollo on 22nd September 2012. Star of Channel 4’s Comedy Gala, Stand Up For The Week and BBC 1's Live At The Apollo, join Paul as he dissects all the issues of growing up and living in multicultural Britain with his own brand of edgy and highly charged comedy. From reusing margarine tubs to passive racism to breaking down racial barriers, there are no holds barred and nothing is left unturned as Paul tackles them all in his own inimitable and shocking style.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
The enthralling prequel and 5th installment in 'The Hunger Games' film franchise.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
In Jeymes Samuel's history-infused, neo-spaghetti western, Black women are center stage with a fresh hip hop mixtape keeping rhythm in the backdrop.
Hoppers is a fun ride with a deep message underneath. In true Pixar fashion, Hoppers explores the complexity of emotions and learning to be still in a world that demands fast progress. Through the main character Mabel, we are reminded what it is like to let ourselves feel big emotions. But also how not to be controlled by them.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
