Wreck-It Ralph Transforms from Bad Guy to Good Guy
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.

The question of how to approach an abusive past is tackled head-on in this contemplative mix of home movies, collage and interviews. After years of attempting to heal from the actions of an abusive grandfather, Rosskam presents a series of interviews and conversations, including with his own parents, that examine the ways in which trauma encrypts in uncanny ways; the function of speech and narrative in the process of decryption; and the role of film and filmmaking in the practice of healing. Visuals ranging from the vast American west to 16mm ink drawings show the journey Rosskam takes, from trying to reconcile with his reticent father to the realisation that he must confront another, deeper fact about the nature of the abuse. With the support of his partner Alex, Rosskam unfolds a family history creased with complicated understandings and expressions of love.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.
For a troubled teen, Will discovers what is important in life when he attends a summer camp: the people who care about his well being.
Zoe Saldaña is a CIA operative who leads a special program that recruits women to infiltrate and dismantle international criminal enterprises, with a QRT(Quick Response Team) providing operational security that shoots people and blows things up on a weekly basis.
April, a professional dancer, reluctantly trains a group of girls at a dance school for the dance competition.
Who said Batman is the only hero to rock the black cape? This article will explore vampires as trans allegories and the femme fatale trope being remastered.